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Anne-Catherine Caron (1955 in Châteauroux, France) is a French artist closely associated with the lettrist movement—an avant-garde group dedicated to challenging traditional forms of art and literature. Raised in a literary environment as the daughter of writer and screenwriter Richard Caron, she was drawn early into creative experimentation. While still a high school student in Sèvres, she became involved with key lettrist figures such as Isidore Isou, setting the stage for a lifelong commitment to innovation in artistic expression. Her work is characterized by a rigorous focus on the square—a minimalist geometric form that recurs throughout her diverse practice. Caron first made her mark with early exhibitions at venues like the Salon de mai in 1973 and the Inter-Art gallery in Lyon. By 1974, she expanded her creative output by publishing poetry, laying the groundwork for her later, more experimental literary projects. Among her notable works is the experimental narrative "Roman à Equarrir" (1977), which challenges conventional storytelling through the distinctive use of the square as a narrative element. This innovative approach is further developed in her monumental mural novel "Tu minaudes, alors qu’il faut changer le monde," a work that blurs the lines between literature and visual art. In addition, Caron made a significant impact on lettrist cinema with the film "Apparition d’une disparition" (2007), created as a tribute to her mentor Isidore Isou. Beyond her contributions to visual art, literature, and film, Caron remains an active voice in contemporary art discourse. She runs an online blog where she explores the interplay between art, language, and society, and she has also translated key lettrist texts, helping to disseminate avant-garde ideas to a broader audience. Through these groundbreaking projects and her ongoing exploration of form and language, Anne-Catherine Caron continues to push the limits of artistic expression, securing her place as a vital and innovative figure in contemporary art.