DanieleLombardi
Biography
Daniele Lombardi (1946, Florence, Italy – 2018, Florence, Italy ) was an Italian composer, pianist, and visual artist known for his work in contemporary music, experimental performance, and multimedia art. His career was marked by a deep engagement with avant-garde traditions, particularly Futurist music, graphic scores, and interdisciplinary collaborations that fused sound, image, and theatrical elements. Born in Florence, Lombardi studied piano and composition at the Luigi Cherubini Conservatory. He became a leading interpreter and advocate of early 20th-century avant-garde music, reviving forgotten works of Futurist composers such as Francesco Balilla Pratella and Luigi Russolo. His performances and research helped reintroduce these radical compositions to new audiences. As a pianist, he also specialized in experimental and graphic scores, bringing attention to the visual aspects of musical notation. Lombardi’s compositions explored new approaches to sound and performance. Among his significant works is Albumblätter (1978), a collection of solo piano pieces that experiment with texture, silence, and extended techniques, reflecting his deep understanding of both historical and contemporary musical languages. Other key works include Concerto per suoni (1980), Ritratto di città (1992), and Visioni sonore (2000), which incorporated elements of visual art and sonic experimentation. Beyond composition and performance, Lombardi was also active in the visual arts, creating graphic scores that blurred the boundaries between music and painting. His work was exhibited internationally, emphasizing the relationship between sound and image. He also wrote critical essays on Futurist music and experimental composition, contributing significantly to musicological research. Lombardi’s dedication to avant-garde traditions and his innovative approach to composition and performance made him a key figure in contemporary music. His work in multimedia, historical research, and experimental sound continues to influence composers, performers, and artists engaged in interdisciplinary practices.
