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Enrico Pedrotti (1905, Trento, Italy – 1965, Bolzano, Italy) was an Italian photographer, filmmaker, and mountaineer whose work bridged avant-garde experimentation with documentary and alpine photography. Closely tied to the Italian Futurist and modernist circles, Pedrotti’s visual language merged poetic sensibility with technical innovation, often capturing the rugged dynamism of the Dolomites and alpine life. A significant chapter in Pedrotti’s career was his collaboration with Fortunato Depero, a leading Futurist artist and fellow Trentino native. Their mutual appreciation for the aesthetics of motion and abstraction is evident in both Pedrotti’s still photography and his film work. Among his most notable contributions are the short films Tecnica di roccia (1938), a pioneering visual study of rock climbing technique, and Monologo sul sesto grado (1953), which reflects his lifelong fascination with the human relationship to extreme environments. These works were not only groundbreaking in their use of camera movement and composition but also in their narrative framing of physical experience and nature. Pedrotti’s photographs were exhibited in regional and national venues during his lifetime and have since become part of important archival collections dedicated to early 20th-century photography and mountaineering history. His visual legacy is preserved in institutions like the Museo Nazionale della Montagna in Turin and archives connected to the Società Alpinisti Tridentini (SAT). While not formally affiliated with a singular movement, Pedrotti’s work resonates with the aesthetics of Futurism, Modernist photography, and Italian avant-garde film, and he remains an essential figure in the visual culture of interwar Italy.