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Paolo Tessari (1945, Venice, Italy) is an Italian painter and sculptor whose work blends historical themes with contemporary artistic approaches. His practice frequently revisits key moments in Italian history, particularly the unification period of the 19th century, reinterpreting them through a modern, often satirical lens. Tessari studied at the Academy of Fine Arts in Venice, graduating in 1971 under the guidance of Alberto Viani. That same year, he began his teaching career at the Academy in Urbino, later holding a painting professorship at the Venice Academy. His artistic career took off in the late 1960s, leading to exhibitions across Italy and abroad. One of his notable works, “Bruch all’italiana” (1973), critically examines national symbols and patriotic imagery, incorporating stylized representations of the Royal Carabineers Corps and bold flag-like compositions. His visual language often draws from Pop Art, employing vibrant colors and graphic elements to challenge traditional interpretations of historical events. Tessari’s installations and paintings have been featured in public spaces across Italy, including Rome and Trieste, where he has staged large-scale interventions in city squares. His work remains relevant for its critical engagement with history, nationalism, and artistic tradition, offering viewers a fresh perspective on Italy’s past through contemporary visual culture.