Archivio Conz

Timm Ulrichs (1940, in Berlin, Germany) is a German conceptual artist whose work spans performance, sculpture, language-based art, and installation. Known for his provocative and self-referential approach, he often describes himself as a "total artist", blurring the lines between art and life. In 1959, Ulrichs founded the "Werbezentrale für Totalkunst & Banalismus" (Advertising Agency for Total Art & Banalism) in Hanover, an early statement of his ambition to integrate art into everyday existence. He also established the "Zimmer-Galerie & Zimmer-Theater", a space dedicated to experimental exhibitions and performances. One of his most famous conceptual gestures was declaring himself a living artwork, displaying himself in a glass case to challenge the traditional perception of art and the artist’s role. His works frequently play with language, irony, and self-exploration, incorporating tautologies and visual wordplays. A well-known example is his tattoo of "The End" on his eyelids, a conceptual piece symbolizing the final closure of his narrative upon death. His practice engages with themes of identity, mortality, and the limits of artistic representation. Ulrichs has exhibited internationally, including participation in Documenta 6 (1977) and shows at institutions such as the Stedelijk Museum in Amsterdam and the Centre Pompidou in Paris. He also influenced younger generations of artists through his role as a professor at the Kunstakademie Münster (1972–2005).